From Media Research:
On this weekend's Inside Washington, (Evan) Thomas, now Editor at Large with Newsweek... rued (about Major Muslim): "I cringe that he's a Muslim.... I think he's probably just a nut case. But with that label attached to him, it will get the right wing going... these things are tragic, but that makes it much worse." NPR's Nina Totenberg soon chimed in with agreement: "It really is tragic that he was a Muslim."
I can't believe I agree so much with this pair of dirtbags, but I do - I cringe that he's a Muslim too, and I think it's tragic for everyone that anyone is a Muslim!
Is destroying my will to live. Or maybe just my will to be alive without committing homicide.
Verizon service tech is supposed to show up tomorrow before noon.
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Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.
For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).
Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.
It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.
![]() Tour Dates
11/15/09 El Corazon Seattle, WA
11/16/09 Satyricon Portland, OR 11/17/09 DNA Lounge SF, CA 11/18/09 Boardwalk Orangevale, CA 11/20/09 Starline Fresno, CA 11/21/09 Modesto Virtual Modesto, CA 11/22/09 Chain Reaction Anahiem, CA 11/23/09 Karma Victorville, CA 11/24/09 Roxy Los Angeles, CA |
Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".
The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".
They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, that
Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).
If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.
![]() Tour Dates
11/13/09 Budweiser Event Center* CO
11/14/09 Mid America Center*, IA 11/15/09 Uptown Theater* Kansas City, MO 11/17/09 Val Air Ballroom Des Moines, IA 11/18/09 Aragon Ballroom* Chicago, IL 11/19/09 The Fillmore* Detroit, MI 11/26/09 Grove of Anaheim, CA * with 311 |
Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.
While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".
The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?
Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.
Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.
11/10/2009 18:05:38 ♥ vu (
) ♥ suburbannoizerecords.com ♥ suburbannoizejapan.com
I loved the Twilight film. It made me read the books which I devoured and shamelessly enjoyed but ultimately left me feeling a little cross with Stephanie Meyer*.
New Moon is probably the most interesting and has a scene in it which haunted me for a long time. It had me looking forward for the film.
But having seen one of the trailers some time back I'm not sure it is going to live up to expectation. Firstly they give so much away it seems barely worth parting with hard earned cash. (Why do they do that?)
And secondly the scene seems to have been messed with and the essence of what moved me to tears when I read seems to be missing.
I could be wrong but I'm sure the problems lie in the fact that the books are told through Bella's eye's and, therefore, a lot of the narrative is in her head which is difficult to translate to film. In that scene it is what isn't said that makes it.
But what isn't disappointing is the soundtrack. It has some cracking tracks on it, as did the Twilight soundtrack. I'm glad they've released it before the film comes out because it sets an interesting tone to the film which has made me curious and want to see it.
Particularly love this one from Thom Yorke.
Is it "Write A Blog Every Day For A Month" again? Because I'm already 10 behind. So here is a post from about two years ago where I said "Oh, I'm going to post about every computer I've ever used!" and then I stopped, right after this one. Lord Kalvan has been posting about a bunch of old computers and it reminded me of my original intent.
So here goes - I'm going to take a few posts to talk about the different computers I've used. I'll start with the very first one. This is the Commodore CBM-8032. This came out around 1980 and had a massive 32k of RAM. It had an 80 column by 25 line green monochrome screen. The CPU was a 6502 2Mhz.
This was owned by the science department at my high school. 1980 (10th grade for me) was well before the school had computer labs, etc. This was the ONLY computer in the school and we found it in the back of a store room where it wasn't being used.
It was beautiful. I used this from 1980 through 1982.
The base model used tapes, but the school actually had a dual floppy drive for it. I sent a letter to Commodore to see if they could send me any information on it, and they sent me a copy of their Commodore magazine. It was cool because it was filled with source code you could key in and also had instructions on how to do things with the system - like print. Yeah, this was before all of the magic we rely on today. Internet? Ha! I don't think so.
My first program was in BASIC and said something like:
10 PRINT "DEWITTE"
20 GOTO 10
and I'd run it... and run it.. and run it... There were three of us who started hanging around the back of the science room every chance we had - before school, after school, during lunch. We'd write programs and key in games and play them. One I recall the most is StarTrek (where you were a big E (for enterprise) and it moves around looking out for K (Klingons). Ah, good times, good times.
I would send a note to Commodore and when I received a reply, it would come from a different address. I thought something was up - they kept moving. Eventually I think they went away, but that wasn't until after the Vic-20, Commodore 64, and the Amiga. The only one of these I seriously used was the Amiga, but that's for another post.
I used to sit in the back of the classroom and just write mindless programs and listen to Supertramp on a cassette boom-box that I built (yes, built - and sad really because I don't have a single picture of it).



